Bugün, Green Day, Rancid gibi bu camiadan çıkan birçok grubu biliyoruz, ancak onların bu başarısı buzdağının sadece görünen bir kısmı; aslında bu ilham verici hikayenin kökleri yeraltının derinliklerine kadar uzanıyor.
TURN IT AROUND: THE STORY OF EAST BAY PUNK, Berkeley’in ilham kaynağı 924 Gilman Street müzik kolektifinin ortaya çıkışına odaklanarak California Bay Area’nın 30 yılı aşkın punk müzik tarihini kapsıyor. Corbett Redford tarafından yönetilen, Iggy Pop tarafından anlatılan ve Green Day tarafından yapımcılığı üstlenilen Turn It Around: East Bay Punk’ın Hikayesi, bu canlı hikayeyi çok çeşitli seslerden ve bakış açılarından yararlanarak gelmiş geçmiş en ünlü ya da en kötü şöhretli punk gruplarının birçoğunun müziğine yer verecek şekilde genişçe ele alıyor.
A documentary spanning over 30 years of the California Bay Area’s punk music history with a central focus on the emergence of Berkeley’s inspiring 924 Gilman Street music collective.
Turn It Around: The Story of East Bay Punk
East Bay hikayesi, başlangıcından itibaren punk rock ile şekilleniyor, mücadeleleriyle devam ediyor ve bugün bile etkili olmaya devam eden çoksesli bir zafere ulaşıyor.
East Bay Punk’ın Hikayesi, Kuzey Kaliforniya’nın 1970’lerin sonunda ortaya çıkan ve politik felsefesiyle gürültülü, yoğun ve otorite karşıtı bir müzik olan punk rock’ın evrimsel sürecini araştırıyor. Dead Kennedys, Avengers ve Flipper gibi erken dönem San Francisco Körfez Bölgesi punk öncülerinin yanı sıra Maximum Rocknroll fanzini de bu yeraltı punk hareketinin küreselleşmesinde yardımcı olmuştur.
Bir zamanların canlı yerel sahnesi şiddet, yozlaşma ve ırkçılıkla çalkalanırken, Doğu Körfezi’nin köprü altı çocukları, bölgenin radikal düşünce geleneğini de sahiplenerek anti-otoriter ve eğlenceli bir punk tarzı yarattılar ve bu duruma karşılık verdiler. Berkeley’de tamamen gönüllülerden oluşan 924 Gilman Kulübü etrafında bir araya gelen bu uyumsuzlar topluluğu, Bay Area punk sahnesini ve zamanla tüm dünyayı değiştirecek olan sanat ve müzik için kendin yap, D.I.Y. geleneğini yarattılar.
Bugün, Green Day, Rancid gibi bu camiadan çıkan birçok grubu biliyoruz, ancak onların bu başarısı buzdağının sadece görünen bir kısmı; aslında bu ilham verici hikayenin kökleri yeraltının derinliklerine kadar uzanıyor.Corbett Redford’un yönettiği ve yapımcılığını üstlendiği, Iggy Pop’un anlattığı ve Green Day’in yönetici yapımcılığını yaptığı Turn It Around: Doğu Körfezi Punk’ının Hikayesi, orada bulunan insanlar tarafından anlatılıyor. East Bay hikayesi, başlangıcından itibaren punk rock ile şekilleniyor, mücadeleleriyle devam ediyor ve bugün bile etkili olmaya devam eden çok sesli bir zafere ulaşıyor.
“…Tüm ticari kaygılardan uzakta “Nutshell Studies Of Unexplained Death”in prodüksiyonu o kadar iyi ki onu dinlemek bile gerçek bir acıya neden oluyor…”
2018 yılında basçı ve vokalist Can Temiz tarafından hardcore punk ve death metal ekseninde farklı metal türlerini sentezleyen bir proje olarak ortaya çıkan EXNUN, ilk albümleri “Decomposition Of An Infant Soul”un 2019 yılında yayınlanmasıyla yerli sahnemize güçlü bir ses getirdi.
Albümdeki şarkılardan “Rape of God” Kanadalı YouTube kanalı Banger TV izleyicileri tarafından açık ara farkla Banger TV programı “Overkill Global” için tema şarkısı olarak seçildi. Grup, 2019 yılında gitar ve vokalde Ozan Çam (Kozmik Yıkım), 2020 yılında gitar ve vokalde Ersin Çağlayan (Radical Noise) ve 2021 yılında davulda Aberrant Engin’in (Burial Invocation, Diabolizer) katılımıyla son halini aldı.
Exnun Live at ‘Milyon Fest’ Kilyos 2022
“…Somehow, that’s also cool because “Nutshell Studies Of Unexplained Death” comes across as very anti-commercial and powerful, and the production is so well done that the noise attacks hit the auditory canal forcefully and cause pain…” -Legacy Magazin
The foundations of EXNUN were laid by bassist and vocalist Can Temiz in 2018 as a project that blends many different genres of metal on the axis of hardcore punk and death metal. In 2019, their first album “Decomposition Of An Infant Soul” was released. Album drow a lot of attention in the Turkish local scene and had been critically acclaimed by the Turkish reviewers.
One of the songs from that album called “Rape of God” has choosen by the Canadian YouTube channel Banger TV viewers to be the theme song for Banger TV show “Overkill Global” by a landslide. The band took its final form with the participation of Ozan Çam (Kozmik Yıkım) on guitars and vocals in 2019, Ersin Çağlayan (Radical Noise) on guitars and vocals in 2020, and Aberrant Engin (Burial Invocation, Diabolizer) on drums in 2021.
Kritikzine Röportajı 2023
First extract from “Nutshell Studies of Unexplained Death” 2023, Time To Kill Records
Blood Becomes Water & The Shivas at Mixtape5 in Sofia, Bulgaria (2015) Photo by Robin Renard
Blood Becomes Water is a trio of artists, composed of Raya Boteva, Rosie Eisor and Robin Renard, they are currently active between Sofia and Brussels. The collective works in the field of contemporary art and illustration; graphic design and independent publishing. All of these areas usually merge into a non-periodical, hand-crafted publication that mostly involves a selection of guest artists. The collective also designs limited editions on textiles and sometimes extends their activities to different media, such as murals or installations. The creative approach is characterized by fun and imperfect, yet bold and easy to remember designs, often including optical effects. The themes frequently addressed in their works can vary between symbols and tattoos, hope and failure, future and past, humans and animals with a good touch of nonsense suggesting the viewer’s interpretation. In its hometown of Sofia, Blood Becomes Water’s mission is to contribute to the development of a vibrant arts and music scene, by organizing events and promoting international music groups locally.
Footage from the opening of “Decade Dance” exhibition – 10.IX.2020 at Intro Gallery, Sofia. The exhibition presents the 11th Blood Becomes Water publication “The Bulgarian Issue #2” and original artworks from the artists involved in the occasion of the 10 year anniversary of our collective.
Blood Becomes Water est un trio d’artistes, composé de Raya Boteva, Rosie Eisor et Robin Renard, ils sont actuellement actifs entre Sofia et Bruxelles. Le collectif travaille dans le domaine de l’art contemporain et de l’illustration; du graphisme et de l’édition indépendante. Tous ces domaines se fondent généralement dans une publication non périodique, faite à la main, qui implique la plupart du temps une sélection d’artistes invités. Le collectif conçoit également des éditions limitées sur textile et étend parfois leurs activités sur différents supports, tels que peintures murales ou installations.
L’approche créative se caractérise par des dessins amusants et imparfaits, mais audacieux et faciles à retenir, comprenant souvent des effets d’optiques. Les thèmes fréquemment abordés dans leurs œuvres peuvent varier entre symboles et tatouages, espoir et échec, avenir et passé, humains et animaux avec une bonne touche de non-sens suggérant l’interprétation du spectateur.
BBW zine about the fear of number 4 in Asian countries made during Crystal Ruth Bell / Red Gate Residency in Beijing (2015)
Dans sa ville natale de Sofia, Blood Becomes Water a pour mission de contribuer au développement d’une scène artistique et musicale dynamique, en organisant des événements et en promouvant des groupes de musique internationaux au niveau local.
Kan emici aldı kararı Koparttı attı kalanını Ciğerlerine hava doldu Üfledi yıktı tarafını
Kimse ölümsüz değil Kanadı kırılmaz değil Kanı akmaz gözü çıkmaz Kendine köle değil
Rutubetli oda sancısı Kırk defadan fazla saydın mi Gördüm tanıdım pis çarkını Ezberledim senin adını
Bloodsucker decided Tore off and threw away the rest Air filled his lungs He blew his side
No one is immortal His wings are not unbreakable No blood shed, no eye pops We’re not slaves to him
Damp room pain Have you counted more than forty times I saw your dirty wheel I memorized your name
Die in Vain, Destroy Fest II, 2023
War Machine
War war war machine Take down the enemy War war war machine Save the markets needs
In the name of god And the mighty war machine Exporting building sites Feeding own financial needs
Seeking fresh blood Unstoppable war machine Sucking you alive Exterminate the war machine
Gösteri İçin
Nefes al nefes ver -gösteri için Kandır aldat yoldan çıkar -parası için Kimseyi doğru bilme-gösteri için Sınıftan kaç sınıftan kaç-parası için
Kefenin küçük gelir Kesesini doldurmak için Kanımızı akıtır onlar, onlar mutlu bundan Kaburgamızı saymak için
Tersi değilsin Gösterinin içinde Kaldır kafanı Görmesen de
inhale exhale- for the spectacle fool cheat go astray- for its money don’t get anyone right – for the spectacle escape from class- for its money
shroud small income to fill their purse they make us bleed, they’re happy about it to count our ribs
you are not the opposite inside the spectacle raise your head even if you don’t see
Die In Vain ‘Savage New Times’ E.P. 2023
Savage New Times
where is the wise don’t have to look around where is the trust dont have to look around where is the fair dont have to look around where is the just dont have to look around
savage new times x3 everything is falling apart
where is the sense dont have to look around where is the reason dont have to look around where is the ground dont have to look around where is the route dont have to look around
savage new times x3 everything is falling apart
where is the world dont have to look around where is the class dont have to look around where is defeat dont have to look around where are you now where are you now savage new times x3 everything is falling apart
“The six-part biopic, titled Pistol directed by Danny Boyle and is based on Steve Jones’s 2018 memoir, Lonely Boy.”
Henüz proje aşamasındayken yazmıştım: Punk dizisi izlemek istiyorsanız biraz daha sabretmeniz gerekecek, Danny Boyle’un Sex Pistols’ın hikâyesini anlattığı “Pistol”ı geliyor, diye.
Ve “Pistol” sonunda geldi. Ortama düşen ilk üç bölümü bir oturuşta izledim ve hemen kısaca yorumlayayım. En başta Danny Boyle’un hakikaten olağanüstü bir işçilik sergilediğinin altını çizeyim. Nevi şahsına münhasır kurgu tekniklerini ustalık kullanarak punk ruhunun ortaya çıkış sürecini, 70’ler sonu Britanya’sını belgesellere taş çıkartacak biçimde görselleştirmeyi başarmış. Hikâyesine müzik kliplerinden, haber bültenlerinden cut-up görüntüler ekleyerek “Pistol”un gerçekçilik hissini de ikiye katlıyor Boyle. Görüntü ve sanat yönetmenliğinin kusursuza yakın olduğu dizide, döneme has pek çok detay incelikli bir yaklaşımla kendine yer buluyor. Kısacası işin teknik kısmı gerçekten muhteşem ve en önemlisi tam manasıyla punk.
“Pistol”un sorun olarak tarif edebileceğimiz tek yanı, anlattığı hikâyenin ziyadesiyle taraflı olması. Sonuçta Sex Pistols’ın öyküsü bütün grup üyelerinden ziyade -dizinin adından da anlaşılacağı üzere- tek bir Pistol’ın, yani Steve Jones’un bakış açısından aktarılıyor. Neticede dizinin kaynak aldığı eserin yazarı da o. Lakin bu durum Boyle’un objektifliğine zarar veriyor ve punk tarihine mal olmuş olaylar ciddi bir tarafgirlikle ekrana yansıyor. John Lydon’ın daha dizi gösterime girmeden neden küplere bindiğini izledikten sonra idrak ediyoruz. Boyle, Lydon için deli dâhi portresi çizmeye soyunmuş lakin ortaya fazlasıyla karikatürize bir karakter çıkarmış. Neticede Sex Pistols’ın kimliğinin en önemli parçası olan Lydon, dizi boyunca yarı embesil bir tip olarak ortalıkta geziniyor, maalesef.
Çok uzatmadan bağlayayım, ben böylesi kusurlarına rağmen “Pistol”ı çok beğendim. Özellikle Malcolm McLaren’ın dandy tarzı aşırılıklarının yansıtılışına -kendisinin dizide en sevdiğim karakter olduğunu belirteyim-, bir dövüş performansı gibi görselleştirilen konser sahnelerine, toplum nezdinde gözden çıkarılan, uyumsuz olarak kodlananların modern bir isyan hareketi olarak dalga dalga yayılan punk ruhunun kaynaklarına dair yapılan isabetli vurgulara bayıldım. McLaren’ın hedeflediği radikal yıkıcılığın David Bowie ve Alice Cooper gibi pop idollere duyulan hayranlık ekseninde bir araya gelen gençler içinde nasıl geliştiğini, Sex dükkânının süreçteki önemli rolünü canlı ve etkileyici bir dille gözler önüne seriyor Boyle.Punk’ın ortaya çıktığı andan itibaren sahiplendiği anti-hippi eğilim de layığıyla ekrana yansıtılıyor.
Sonuçta, “Pistol”ı mutlaka izlemenizi öneririm. Televizyon tarihine geçecek nitelikte bir çalışma olduğunu göreceksiniz.. Yine de kendimi, keşke Danny Boyle, John Lydon’ı kıskandığı ayan beyan ortada olan Steve Jones’un anılarına bu kadar bağlı kalmasaydı da, ona haksızlık yapmasaydı, daha iyi olmaz mıydı, demekten alıkoyamıyorum!
Gökhan Gençay / Uyumsuzlar Fraksiyonu
“Pistol” vesilesiyle altını çizeyim.
Sid Vicious’u neden mi seviyoruz?
Çünkü müzik dünyasında sadece virtüözlerin sahneye çıkabileceği, yalnızca onların müzik yapabileceği kuralını güle oynaya yıktı. Bas gitarla nota basmayı bilmeden elinde bas gitarla Sex Pistols konserlerinde grubun asli bir üyesi olarak yer aldı. Güzellik ideolojisine yanıt olarak sahnede kendini jiletledi, kanını ve tükürüğünü seyircilerle paylaştı. Provokasyonu toplum karşıtı bir savaş stratejisi olarak popüler kültürün gündemine soktu. Düzeni yıkamasa da kendisini tam manasıyla yıkmayı başardı. Yetmez mi?!
The development shown in the following senses and the survey over the East-German underground HC scene is just a small cross-section coming from my own knowledge and the knowledge of my helpers. I can’t say that I’m sure everything is 100% right and complete because a lot is coming from “legends” and stories. I just took vinyl or CD releases in this report because with demo tapes I would write for as long as I live on this report-and don’t forget that English is not my native language so I can’t exactly say in English what I mean in German. But who cares? Here we go!
A Few Words About
the East-German Hardcore Scene
By Sebastian Haufe of BWF
Discordia fanzine volume 1 – 1998
At this time, the active scene in East-Germany (the area of the former G.D.R.) can be subdivided into just a few centers which have all created their own cosmos-like certainly everywhere in this world. First, a survey over bigger scenes which I do not describe in detail because of our poor knowledge about these scenes.
Main centers are Berlin (which took a special development because of their status as a real big city and the capital of Germany-also their divided development as a “West and East part” is important) because I just know the “bigger names” in the Berlin HC business which I will not tell anything about (’cause I think it wouldn’t be fair to the rest of the scene-the roots which make it all possible). Then there is Leipzig where the scene took a cool and correct development because of good locations and a lot of involved people. Smaller scenes which are mainly the interface of all “different’/ alternative/ underground styles of music (“United We Win” -you know) developed around smaller locations and, for instance, around Chemnitz, Nunchritz, Rosswein or Bischofswerda. But now some areas which surely own an active scene, but I just know some of the bands from there. A short survey:
Northern East-Germany is where the seaport Rostock is situated, which has a lot of great bands like DRITTE WAHL. Although they are surely the leading ship of the East-German punk, their acceptance in the HC scene is good because of good and intelligent releases and live gigs. After the success of DRITTE WAHL came the bands CRUSHING CASPARS (HC-metal like PRO-PAIN) and GRINDMACHINE (TYPE O NEGATIVE style) under the care of the DRITTE WAHL management to a bigger circle of fans.
We also haven’t told about the scene around Halle and Dessau, which has Halb7 Rec., an active record label in the punk/oi! genre with TIN-PAN-ALLEY (now VIU DRAKH), and old-established , band which is well known because of a lot of touring and some releases-their sound unfortunately changed from HC to a musty metal sound.
Not far from Leipzig is Chemnitz situated south which has a club called Talschock which has been hosting a lot of gigs for a long time and that’s why it had a lot of influence on the development of the scene in and around the town. If there is a band from overseas or Scandinavia in Germany to do a tour, Chemnitz is surely on the tourplan. Well known bands are OUTLINE (new school, split 7″ with DAWN OF ALL AGES) and LOUSY which hit the nail on its head.
If you’re going into the western direction, you’ll find Jena which had DRUCKKAMMER (R.I.P.) a band which you could call an EARTH CRISIS with German Lyrics. Unfortunately, they split up after releasing a CD.
A striking fact is that more big cities, for instance Dresden, don’t have an active scene in the HC movement because of the lack of locations where “real” HC bands can play-all bands which came from Dresden were called HC and were an insult to the word. But a few active people are doing HC shows in Dresden; mostly the Conni 18 (hello Ralph!) which always presents interesting bands and gives young bands the possibility to present themselves to the crowd. Also, there are 2-3 clubs which do HC gigs, but they just take the more well-known bands into their program.
Murdered Art : Berlin Hardcore, East Club
Let’s start now with some history. The band most legends exist about came from Leipzig and are unfortunately no longer active: DMB. Because of the reunion of the two German states in the year of 1989 and the following “new orientation” development of a musical underground movement, it took some time before people started to create their own music. That’s why the first vinyl releases of an active scene are dated from the years after 1990. In the year of 1992 the DMB 7″ is released which gives us excellent HC-style with English lyrics. The songs were recorded in a studio in the western part of Germany and released by a West German label (X-Mist Records) too because at that time there were just a few underground record labels active in the east and the bands did not have enough money to release expensive DIY products. DMB became a legend, as they were the first East German band that toured wrth an American band (SFA from . NY). Unfortunately, DMB split up because of internal problems and tried their luck in different bands-most well known are UP IN ARMS in which the former DMB guitarist plays. UP IN ARMS released a 7″ on the Czech label, Day After Rec. and an LP on Halb7 rec. too, but their releases never reached the great quality of their live performance. But already before 1992 there was life signs of the scene around Leipzig, for instance, CHRIST WEEPS BACKWARDS or THE ART OF THE LEGENDARY TISHVAISINGS who released a 7″ and a CD, but they were not “pure” hardcore-so I don’t discuss them. But one I do notice: From C.C.B., T.A.O.T.L.T. and DOD, a band called THINK ABOUT MUTATION was formed which is now one of the most selling East German indie rock bands (mix of techno and metal).
B.B.S. ‘Under the Milkway Tonight’ 1993
The year of 1993 gave the scene a new highlight: BBC released their demo tape Under the Milkyway Tonight, which is now available as a 7″ (Day After Rec.). The best description is an “East German SHEER TERROR”. Here you see the strong connection of the scene from Leipzig to NY-HC, although BBC has Abo Alsleben who is one of the most active guys from Zoro, which is now completely finished with NY-HC. Now they give a noisecore band the possibility to play a show rather than a HC band. Times are changing…
Later BBC changed their American sound and are now doing confounded HC with only German lyrics on their CD. Unfortunately, the whole scene from Leipzig didn’t change their tough-imaged NY-HC, that’s why the now active bands FULL SPEED AHEAD (cool NY-style 7″ on Minefield Rec), NORTH SHORE (old school, like GORILLA BISCUITS-7″ on Minefield Rec.) or D.H. (R.I.P. -7″ released) are strongly influenced by the American originals. Through the massive support of the Liepzig scene and around the location Conni Island, the bands quickly built up a good name. We made some noise there too; they are really sympathetic guys. As a sample of the activities by the bands from Leipzig, you can hear them on a CD sampler released on Minefield Rec. which present all of the previously mentioned bands and songs from DENIED REALITY (new school) and S.F.O.C. (musty HC-metal).
Another important band from the East German scene released a split LP with FOR AGE, and they are STAND AS ONE. While STAND AS ONE have been energetic throughout the years and released a split 7″ with MURDERED ART from Berlin (Mad Mob Rec), I don’t know anything about any other FOR AGE release. STAND AS ONE give you powerful old school HC which is played perfectly and really kicks ass!
Around 1992 or 1993 is when the 7″ from USE YOUR STRENGTH from Bautzen was released. This especially has a very personal meaning because, for me, it was the first 7″ on which HC was combined with clear political and social statements. Clear refusal of animal experiences and the enthusiasm for vegetarianism/ veganism in such a way was never seen in the East German scene before. Just the 7″ title Destroy the Myth of Animal Experiences shows the evidence/task of this band. Already in this time, USE YOUR STRENGTH dissed the whole “tough guys from NY” attitude-really cool. USE YOUR STRENGTH remained U.Y.S. and developed their style into intelligent, paincore and released an LP called Zodiac (Maximum Voice Prod.) in 1994-unfortunately, this record is surely out of press.
Between the “big cities” Dresden and Bautzen is situated a small town called Bischofswerda which is really interesting because of their bands. On the basis of the old-established location East Club, which is the interface of all scenes of this town, the climate in the town for the development of the scene is right. LEPRA made the first try in releasing vinyl with their What’s the Disease 7″ (Summertime Rec.) in 1994. PARANOISES, the oldest band in town, tried the next step with their MCD Noise of Silence (Summertime Rec.) in 1996. Although they are not satisfied with the soundmix, the MCD contains 5 powerful punk/crossover songs with characteristic vocals. The latest releases of the Bischofswerda posse were BWF with their split 7″ with AGATHOCLES from Belgium and a CD in 1998. Although most people think there is a grindcore band behind the three letters, we call our style a “hard rockin’ bastard” (because I’m a member of this band I don’t know what to tell you-see review in this ‘zine). And, there’s a new interesting band coming from my town-the youngest and sweetest child of our scene: POOR LITTLE MITE, which play emotional “pop-core”.
Another active pole developed over the ..years around Riesa/GroBenhain around the club Kombi. Proof of this energetic band is given to you by the 7″ from the HOLY PIGS which split up a few weeks ago (R.I.P.). They worked with two singers, but because of the bad production, the 7″ didn’t show the qualities of this band Contrary to HOLY PIGS, POURING PITCH are still active and present a CD which I haven’t heard yet, sorry. ‘ However, some qualified people have told me that POURING PITCH now go in the D.R.I. direction-old school strikes back!
Murdered Art – NEVER FEEL SAFE – SAMPLER: WE´LL NEVER BE TAMED
Normally I could write down more, and more, and more… but for a survey, these lines are more than enough. In the beginning, I didn’t think that this report could become like a “thesis”. If there are any questions or you are interested in one of the mentioned releases, please write me and I’ll send you the concerned addresses.
What do you know about the Czech Republic? Probably not too much, so here are few geopolitical facts: it is situated in the middle of Europe, with 10 million inhabitants; it originated in 1993 (before, it was part of Czechoslovakia, which split into 2 separate states). There is 1 city with a population over 1 million (Prague), and a few cities with a population of several hundred thousand people (Brno, Ostrava, Plzeň)…). From 1948 ’til 1989, the nation lived under the iron fist of a socalled “Communist” regime that turned the state into one big concentration camp. After some years of a rightwing “economy at any cost” government recently came an equally arrogant social democratic (left) government. The country is currently suffering a recession caused in part by widespread corruption in government and business. Enough for a beginning? I hope so.
Filip / Insane Society Recs. 1999
Czech Scene Report, Insane Society Recs. 1999
Although there were some alternative activities before 1989 as well, they were only marginal and weak, because of the ruling regime’s repression. From November 1989 onwards, we can speak of the rise of anarchist, ecological, animalrights and similar movements and of course also of hardcore and punk music.
The anarchist movement’s activities began mainly in Prague, but they slowly reached other towns as well. C.A.S. (the Czech Anarchist Association), which was formed shortly before the November “revolution”, has organised several demonstrations in Prague, mostly against racism (after 1989, there was a boom of the naziskinheads movement over here), but also against the National Exposition, which cost a lot of money and was surrounded with financial machinations. Some of these demonstrations led to violent conflicts with Nazis and the police, who were of course on their side. The Nazi skinheads started to be a real threat directly after 1989; their popularity was constantly rising; in line with the nation’s general hidden racism and intolerant mentality (especially against the biggest ethnic minority here Gypsies). Also, the most popular skinhead band, “Orlik”, hit the music charts and they easily managed to sell more than 100.000 records. Lately they were replaced by more outspoken and more “hardcore” types of nazi bands, who weren’t so wellknown, but still had an influence on young Nazis. In spring ’90, there was a flood of racist attacks on Gypsies, blacks, etc., in Prague and in the northwestern part of the country. These were the first victims of the new Czech fascism, and the number of such attacks is higher every year. Anarchists were the first ones who took a stand against Nazis, back in these times, when police, the media, and politicians absolutely ignored the problem. It took them 7 years and more than 25 murders to make them realise it and do something about it (the turning point was the murder of a Sudanese student in Prague in autumn ’97, though the passivity of the police towards Nazis’ actions is still relatively high in some areas).
Back at the beginning of the 90’s, the anarchist movement was based mostly around the magazine A-KONTRA, which was issued more or less regularly, with a print run of several thousand copies, and was distributed throughout the country. It stopped publishing after several disputes in the editorial collective in ’95, but there are now some hopes of resurrecting it. A-KONTRA faced several state repressions and one of their editors was even charged for attempted murder of the leader of the Czech Communist Party the police lied that he had confessed to it, but later he was found innocent and the police had to apologize to him and to pay damages. AUTONOMIE was another magazine, founded in’93, and later the people around it formed the A.F. (Anarchist Federation), which had several branches, but didn’t last very long. AUTONOMIE stopped publishing in 96.
Czech Scene Report, Insane Society Recs. 1999
In 1995, the C.S.A.F. (CzechSlovak Anarchist Federation) was founded, and began publishing SVOBODNA MYSL (“Free Mind”) magazine. After a dispute in ’97, the C.S.A.F. continued under this name, but some of the former members left it and formed the Federation Of Social Anarchists (F.S.A.), with their own magazine called SVOBODNA PRACE (“Free Labour”). SVOBODNA MYSL changed its name to EXISTENCE, which is now the new magazine of C.S.A.F. The reason for the dispute was the typical conflict in anarchist movements everywhere the conflict between the “true anarchist”, promoting class war and anarchosyndicalist approach, here represented by F.S.A., versus the approach of the more “autonomous” anarchists, less ideological, more open to other alternative movements (mostly squatting and ecological activities), represented by C.S.A.F. Both organisations are based in Prague, but they have several branches around the country. Besides publishing their quarterly magazines, they organise different actions and demonstrations F.S.A., who is a member of the International Workers Association, has organized demonstrations against unemployment and syndicalist propagation work among workers, while C.S.A.F. has set up solidarity demos/street theatres for the Zapatistas, and antifascist demonstrations and has participated in some squatting activities.
KONFONTACE is a new magazine in newspaper format published by former editors of AUTONOMIE. It comes out every 2 months and manages to get the attention of “normal” people outside the anarchist ghetto. It’s quite radical and in it you can find wellwritten articles on police repression, the media, elections, etc.
Besides C.S.A.F. and F.S.A., there is another active anarchist group, called AKTIVITA CABARET VOLTAIRE, an informal anarchopunk group, based in the northwestern part of the Republic. They publish ‘zines, do distribution, organise and participate in different actions, and do a lot of support activities for the anarchist movement (such as money collections, etc.). You can get more precise information on all of these anarchist organisations directly from them contact information is at the end of this scene report.
Czech Scene Report, Insane Society Recs. 1999
Squatting:
Although the first squatting attempts took place already at the very beginning of the 90’s, the first relatively longterm and successful squat started in March 1992 the SOCHORKA squat in Prague on pplk. Sochora street 28. It was a typical apartment house, squatted by the anarchists around A-KONTRA magazine.
Despite an attack of cca 150 Nazi skinheads in December ’92 and a subsequent police eviction, it was resquatted shortly after eviction and managed to exist until September 97. The inhabitants left it after an agreement with the local council that they will get a new place for their activities (they got the new place in the end, but it’s in very bad condition now; there are plans to do something like a “Free University” there). The SOCHORKA squat was the centre of anarchist activities for a long time; it was the home of the A-KONTRA editorial staff and printing press and also contained a small gig place in the basement.
Czech Scene Report, Insane Society Recs. 1999
LADRONKA: the most famous Czech squat last year it celebrated 5 years of existence. This old fortress from the 17th century, situated in the Prague suburbs, was squatted in August ’93 by people related to AUTONOMIE. LADRONKA faced eviction several times, but after massive protests and demonstrations, the city gave up the idea of selling it to real estate speculators, and now there haven’t been any eviction threats for a long time. The squat has hosted a large number of gigs, exhibitions, rave parties etc. and is a very important place for the Czech autonomous movement. The adress is Tomanova street 1, in the Brevnov quarter, and the building is situated in the middle of a park. Some of the recent gigs included Varukers, Detestation, Cripple Bastards, Hellkrusher etc.
Squatting is not very widespread over here, particularly because of the very tough sentences that you can face if you try it (a large fine or up to 2 years of imprisonment), but also because there doesn’t seem to be enough active people willing to gather together to do it, with the exception of the bigger cities. In summer ’97 a group of people in Prague squatted a new house ZENKLOVKA on Zenklova street. They made agreements with the owner that they could use it until its demolition, but after pressure from the police (their antiextremist branch), the owner changed his mind and agreed to let the police to evict the squatters. After some nonviolent resistance (ocupation of the roof), the squat was evicted in the beginning of ’98. The same group of people later found a new building, and so on May 1st ’98 the MILADA squat was founded, in the Holesovice quarter near a railway station and student campuses. It’s old villa, scheduled for demolition. Squatters have made some minor repairs and opened the bar. There were several police and security agency attempts to evict them in October (again, after their agreement with the owner, police pressured him, convincing him that they found hard drugs in the squat). When the same nonviolent tactic was used to defend the house, the cops finally gave up, and MILADA is still going strong. You can get more information about its current situation from the C.S.A.F. contact adress. There was a squat in Brno from August ’til November ’97, when the house was violently attacked by police. Squatters were beaten down and had guns pulled on them, and in the end cops locked them all in one room and then threw a tear gas projectile inside. Meanwhile, they managed to destroy/steal most of the furnishings. The second day, the squat was definitively evicted.
Czech Scene Report, Insane Society Recs. 1999
There are several other places in Prague for punk and alternative activities the PROPAST punk pub (Lipanska 3, quarter Zizkov) there is also small record shop near from here BASS RIOT STORE (Chvalova 8), the UTOPIE autonomous cafe (Wenzigova/Lublanska street corner, Nove Mesto quarter) and the 007 CLUB (Strahov Hill, among the university campuses). There used to be a socialcultural centre called BLACK HAND, which was quite wellknown worldwide, but from the beginning of its existence in ’93, it had lot of problems with the local authorities, and it never attracted the wider attention of the people. The centre closed down in ’97 and later was demolished, there’s now a very nice concreteparking lot in its place…
Animal rights and ecological activities, over here are mostly official and mainstreamoriented they aren’t very radical at all. They do some useful activities, but most of them have clearly distanced themself from any autonomous or anarchist activities, because they fear for their public reputation. They have chosen instead to cooperate with politicians; they give advice on which party to vote for in the elections, and so on. Summer blockades of the construction site for the Temelin nuclear power plant were one of the few examples of good cooperation between anarchists and ecological activists. These went for several years, but have now stopped. The general “step backwards” in the strategy of these organisations has also something to do with the policy of their funding most of their income comes from foundations established by the European Union or other official sources, who don’t like to see very radical activities. You can find more honest and more “grassroots” groups; the problem is that they are too small and they lack finacial resources. In the animal rights field, the most active are probably SVOBODA ZVIRAT (“Freedom for Animals”) and ANIMAL S.O.S., who both organise info stands, demonstrations, petitions, exhibitions, etc. against several forms of animal abuse. Brno is home to NESEHNUTI (“The Unmoved”, more officially the “Independent Social Ecological Movement”), which works in the human and animal rights fields, and is also active against a planned motorway, which will spoil an important recreation area in Brno. The Czech chapter of EARTH FIRST! was established some months ago in Prague. They put out an Action Update newsletter and also plan to have an internet site. There are some other smaller groups working on these issues spread all across the country, often working on local problems.
Czech Scene Report, Insane Society Recs. 1999
Last year saw 2 street parties, which were among to the Czech autonomous movement’s biggest actions ever. The GLOBAL STREET PARTY took place 16.5.98 in Prague, organised by EARTH FIRST!, C.S.A.F., and other groups as a protest against world globalisation and against the city’s unsustainable traffic situation it is plagued by cars and pollution. The action was attented by cca 3.000 people and started peacefully, until the demonstration went onto Prague’s most important traffic artery and blocked it. Cops tried to stop the demonstration, but they were fought back and had to escape. A cop car was turned over, and some other were smashed with bricks. Then part of the march headed to the city centre, where the McDonalds’ and Kentucky Fried Chicken restaurants were attacked, causing big damage to their property. The police, who at first weren’t able to handle the situation at all and let the people riot, then arrived in big numbers and went absolutely mad. They beat up lot of people, including innocent passersby. In their obvious “nobrain style”, they couldn’t pick up the actual rioters, but arrested mostly those demonstrators who didn’t manage to escape. The arrested people went through several punishments and beatings and were thrown to jail for about 2 weeks, but in the end they were released, because the cops couldn’t charge them with anything. The GLOBAL STREET PARTY made headlines in the mass media for many days and caused public discussions about globalisation, police brutality, the problems of young people, etc. Also, a special antidemonstration police squad was formed.
A LOCAL STREET PARTY was organised 3 months later,-this time with cca 4.000 participants. It started in a park, with a rave party, info booths with alternative press materials, etc., and the march was shorter this time, with a route avoiding the possible conflict points, such as the abovementioned restaurants. It must be said that this time police showed up in all force, with thousand of cops readied and several dozen plainclothes cops among the demonstraters themselves, some of them dressed as punx. These “masked” cops tried to provoke some action that would give a reason to attack, but they weren’t successful. The demonstration went OK, without large conflicts, the only exception being the march of cca 100 people on a McDonalds’ restaurant after the official end of the demonstration finally the plainclothes pigs managed to provoke a few confused punx who were immediately arrested after their first attempt to break the police line. If you are interested in seeing pictures from both parties, check out the lidskaprava.cz site on the internet.
No need to say that no action was taken against the cops who beat up and humimilated the people after the GLOBAL STREET PARTY. Police brutality against anarchists and punx is already something common over here, after several wellknown cases such as the beatings of protestors against the Velka Pardubicka Steeplechase in ’92, the raid on the Propast punk pub in ’96, and the attack on the demonstration against police brutality in ’97 (which, ironically, was supposed to commemorate the Propast raid). The “antiextremist branch” of the Czech police is investigating not only the anarchist and autonomous movement, but also the official ecological organisations like GREENPEACE, which led to an international scandal a few years back. Cops and nazis are surely the biggest threat to punx like everywhere. As a reaction on widespread naziskinheads movement, the Czech version of Antifascist Action ANTIFASISTICKA AKCE (A.F.A.)was formed some time ago, they do newsletter called “Akce” (previously “Antifa News”), but otherwise aren’t very active.
Czech Scene Report, Insane Society Recs. 1999
Hardcore Punk Scene:
OK, OK, so now definitely something about the music. Now, at the beginning of 1999, there is really a good and strong hardcore/punk scene, but first let’s look a bit into the history of the Czech punk/HC scene. The first punk bands started over here in the beginning of the 80’s (A 64, ENERGIE G, ZIKKURAT, etc.) and slowly the scene started to grow. During the 80’s and especially at the end of 80’s, when the opression by the regime wasn’t as strong as before, there were more and more punk bands, such as F.P.B., VISACÍ ZÁMEK, PLEXIS, H.N.F., Z.N.C. etc. and later also first hardcore bands (TELEX, P.S., SUCIDAL COMMANDO, S.R.K., MICHAEL’S UNCLE, KRITICKA SITUACE, etc.). In these times, punk was in the deep underground, gigs were illegal, bands had problems with the authorities and it was absolutely impossible to release a record (the first official Czech punk record was a 7″ by VISACÍ ZÁMEK in ’88!). Punx always used to have problems with cops, in school and at work, because of their appearance. Some of them were sentenced for “crimes” such as “having a negative stance towards socialist system” or even “propagation of fascism”, etc. Society and especially the media looked on punk as a tool of Western imperialism, smuggled into our country to spoil the young people. Since 1989, all this has changed, and punk has reached a wider range of young people, official media, and record labels, and these old bands have started to release their first records (mostly on new commercial labels, but there was hardly anyone thinking about that back in 1990 here). Luckily, some new and fresh DIY labels, zines, bands, gigs, etc. also emerged soon, and the scene became more political and DIYoriented. Thanx to people like KRITICKA SITUACE singer Robert, Martin (MALARIE RECORDS) or Bergamo (and his Black Hand agency), the foreign punk/HC bands (Nausea, Murphys Law, Inferno, Chaos U.K., No Means No, Concrete Sox, Gorilla Biscuits etc. in the first years, and then tons more) started playing gigs here, and a relatively strong and independent scene was built.
Kritická Situace 9. 10. 1992 Praha Strahov 007
So, who is who in current Czech HC/ Punk?
Let’s start with grindcore, which recently is quite popular over here. The trio MALIGNANT TUMOUR is playing a mix of grind/mincecore in the vein of Agathocles and Regurgitate, now with political lyrics. They have about 5 split EP’s and one split CD + tons of tapes out and have also played on festivals in Belgium and Germany. Future plans include a full CD and some more split EP’s. From the same city (Ostrava) as M.T. come CEREBRAL TURBULENCY (they have progressed from death metal to pure grindcore), P.T.A.O. (exSOCIAL DEFORMITY, heavy megabassed grind/noise, a split EP with Japanese Final Exit is out) and PURULENT SPERMCANAL (gore grind in the vein of Gut/Impetigo). It seems that this town is the capital of grind! Other grinders TWISTED TRUTH, influenced by old N.D., who just recently released a split EP with ROT on Fudgeworthy Records and plan 2 more split EP’s with MALIGNANT TUMOUR and WARSORE. INGROWING (exPLASTIC GRAVE, who released a split 7″ with Agathocles), one of the most popular bands in death metal/grind territory, have a split CD and a split EP out, some new releases out soon. NEGLIGENT COLLATERAL COLLAPSE do weird grind/industrial mixes, sometimes with the help of a computer, some tapes out, their drummer did a Czech grind core encyclopedia on the internet! GRIDE, from the southwestern part of the Czech Republic, do a killer mix of extreme hardcore and grind with great sociopolitical lyrics, they call their music “power gride core” and so far have done 1 split EP w/LIES AND DISTRUST and a split LP with M.B.. They have also played some gigs abroad. Besides the split EP, GRIDE also share a drummer with LIES & DISTRUST, who play classical scandiinfluenced crust core with growling vocals. L&D also plan a split EP (w/ EXEKUCE) and a split LP in Brazil later in ’99. Two other cool crust bands are located near the Polish border HOW LONG? (a split EP out, another planned) and R.A.F., both play dual voc crust butchery, R.A.F.even include a trumpet! This area is also home to HIBAKUSHA, DISNEY and ZRADCE RASY, all playing the crusty shit too. Another raw crustpunx EXEKUCE (based around the “Propast” punk pub) are one of the few bands currently playing in our capital Prague, with a split EP due out sooner or later. Brno is home to MRTVA BUDOUCNOST, fastasfuck dualvoc extreme core with 3 split EP’s. They have a split LP w/LEFT IN RUINS (on Six Weeks Rec.) and another one w/GRIDE (collaboration of Insane Society, View Beyond and other labels), future plans include an 8″ flexi in the U.S. and huge pile of compilations. M.B. did some touring abroad too. Also continuing the tradition of the extreme HC style (Hellnation fans take note!) are PANGS OF REMORSE from the Western part of the country, they did a split EP and a German tour with M.B. back in’96, but haven’t been very active since this time. Some new vinyl (probably with S.O.K. a mix of thrash/grind/HC + whatever… with 100% crazy lyrics) may come out sooner or later. Crust/grind/extreme HC is already wellestablished here with most bands of this style already going strong for long years. One of the brandnew additions to the family are MINDLOCK, producing some cruel sounds in the Sore Throat vein.
Fulden She-Demon ve Secondhand Underpants ‘Loud Women Fest’ 2019
Punk Rock Sahnesi ve Kadınlar
‘Biz bu yemeğin baharatı değiliz!’
Fulden She-Demon
Punk sahnesi erkeklerin toplumun genel-geçer heteronormatif erkeklik normlarının dışında var olabildiği yegâne özgür alanlardan. Ama aynı özgürlük kadınlara ve ötekileştirilen diğer gruplara tanınmadığında ortaya ciddi bir sıkıntı çıkıyor. Bu durumda kendimizi dayanışma olanağından uzak, iktidar ilişkilerinin ve toplumsal cinsiyet hiyerarşilerinin yeniden üretildiği bir düzlemde buluyoruz. Yazılacak her sahne raporunda, çekilecek her belgeselde, her arşiv projesinde başlangıç noktası (yani taban) olarak punk sahnesi karşımıza adı konulmayan bir erkekler kulübü olarak çıkıyor. Bu adı konulmamışlık belli ‘silme’ alışkanlıklarını içeriyor. Biz kadınlar yancı gibi olaya sonradan dahil edilip, silinen bir şeyleri yeniden ortaya koymakla görevlendiriliyoruz. Bir nevi önümüze konan yemeği ‘çeşni’lendiriyoruz. Bu görevin bizlere tayin edilmiş olması, tayin edenlerin bu konulara kafa yormayıp, bir yandan da vicdanlarını rahat tutmasını olanaklı kılıyor. Dolayısıyla bu ‘takımını seç‘ pratiği hala bir erkekler kulübü ortaya koyarken (burada kuşkusuz tayfacılık da ciddi bir sorun olarak karşımıza çıkıyor), bir yandan da kıyıdan köşeden dahil edilen kadınların katkısıyla kapsayıcı olma iddiası mümkün hale gelmiş oluyor ve bunun sorumluluğu da ötekileştirilenlerin omzuna biniyor. Dolayısıyla kadınların katkıları görmezden gelinir ve silinirken, dahil edilme sorunu da kadınlara rahatlıkla itelenebiliyor. Oysa biz sonsuza kadar kendi festivallerimizi yapmak istemiyoruz. Kendimize ite kaka açtığımız alanların kabul edildiğimiz tek alan olmasını ya da marjinalize edilmesini istemiyoruz. Bir punk fanzininde feminist bir yazının hemen ardından salt erkeklerin olduğu bir playlist‘in önümüze tek gerçek müzik olarak sunulmasını, kadınların katkılarının her defasında unutulmasını, yitip gitmesini istemiyoruz. Biz bu yemeğin baharatı değiliz. Olmamız gereken yer kıyı-köşe-periferi değil, tam merkez. ‘Oğlanlardan biri gibi’ değil, kendimiz olarak ve olduğumuz gibi kabul edilmek. İstisnai değil kaide olarak.
Kapsayıcılık hegemonya yıkmayı gerektirir
Biz punk’ın feminist hali değiliz çünkü bu ifade üzerine sonradan geçirilen bir ceketi çağrıştırıyor. Ancak punk zaten anaakım kültüre karşı konumlandığı ölçüde feminist olmak zorunda. Eğer değilse de üç akor bildiği için sokaktaki adamdan kendini üstün sanan bir densizliğin ötesine geçemiyordur. Kapsayıcılık, “Sen de varsın, işte buradasın, heh öyle kenarda köşede dur işte” demek değil. Gerçek kapsayıcılık hegemonya yıkmayı gerektirir. Hegemonya yıkımını olanaklı kılan şeylerden biri ötekileştirilenlerın öz ifadesi, düşünsel üretimi iken, bir diğeri ise bu üretimlerin kenara köşeye sığıntı gibi yerleştirilmesinden ziyade, tam merkeze alınmak suretiyle anlatının temel bir parçası haline getirilmesidir. İlki hakkında her zaman özeleştiri yapabilıriz. Evet, daha fazlasını yapmalıyız. Kendimizi daha çok ve daha iyi ifade etmeli, daha çok ve daha iyi üretmeliyiz. Tereddütlerimizi bir kenara koymalı, kendimize güvenmeli, inanmalı ve birbirimize sahip çıkmalıyız, ikinci kısma geldiğimizde ise mütemadiyen duvara tosladıgımızı hissediyorum. “Aaa kadınlar da vardı lan !” gibi bir sonradan dahil edilme, gerçek kapsayıcılıkla bağdaşamaz.
Bir Erkekler Kulübü Olarak Punk Sahnesi
Burada bir pozitif ayrımcılık çağrısı yapıyor değilim. Tam aksine, lügatimize pozitif ayrımcılık adı altında giren fikrin bulandırdığı bir sorun var ortada. Eğer ancak pozitif ayrımcılık olsun diye dahil edileceksek, işi hep kotadan kurtaracaksak bunun ifade ettiği şey kadınların yeteri kadar ‘iyi’ sanatsal/ düşünsel üretim ortaya koymuyor olduğu fikridir. Bu fikri bize veren cinsiyetçiliğin işleyiş şeklidir. Eğer bu üretimlere gözlerinizi yummuyor olsaydınız kadınların sürekli harika işler ortaya koyduğunu ve peşin hükümlü davranıyor olduğunuzu görürdünüz. Devekuşunun kafasını gömdüğü delikten çıkarıp biraz etrafına bakınması yeterli. Seçkinizde yalnızca erkeklerin yer alıyor olması salt erkeklerin iyi işler ortaya koyuyor olmasından değil, o ürün sizin önünüze gelene kadar cinsiyetçiliğin dokuz katından geçiyor olmasıdır.
Interview with Fulden-Shedemon on Feminism, Existentialism, and Punk Rock (2020)
Bu mücadele müttefiklerin mücadelesidir
Peşin hükümlü demişken, ortada bir güven sorunu olduğunun da altını çizelim. Erkekler kulübü ne demek? Yalnızca içindeki mevcut bireylerin erkek olmasını mı ifade ediyor? Bence bunun ötesinde bir şeyler de var ve bu güven pratiklerimize yansıyor. Buna araştırmacılar ‘örtük önyargı’ diyorlar. Mesela biri yalnızca erkek (görünümlü) olduğu için güveni hak etmeden otomatik olarak alabiliyorken, başka biri sadece kadın (görünümlü) olduğu için ağzıyla kuş tutsa şüpheyle yaklaşılıyor oluyor. Ve sonunda o güveni kazandığında ise istisnalar kaideyi bozmaz mekanizmaları devreye giriyor. Bunu kırmanın en önemli yollarından biri öz tefekkür (yani kendi eğilimleri, içgüdüleri, tercihleri ve davranışları üzerine derinlemesine düşünmek) ve özeleştiridir. Bu dışlama mekanizmalarının ne denli sinsice işlediğine dikkat etmeli ve bunları devreden çıkarmak adına topyekûn bir mücadele vermeliyiz. Bu mücadeleyi yalnızca ötekileştirilenler veremez. Bu mücadele müttefiklerin mücadelesidir. Herkesin ilk başta kendi davranışlarını, alışkanlıklarını, isteklerini, arzularını, güdülerini gözden geçirmesi ve bu dışlayıcılık canavarını nasıl ve ne denli beslediğini görmeye başlaması gerekir.
Ben kendime baktığımda geçmişte birçok kadınla dayanışma değil rekabet halinde olduğumu gördüm. İçselleştirilmiş cinsiyetçilikten ötürü sanki kaynaklar azmış da kazanmak için birbirimizi yenmemiz gerekiyormuş gibi bir yarışa girdiğimizi, birbirimize sevgi ve güvenle değil şüphe, kibir ve kıskançlıkla baktığımızı gördüm. Başka kadınlardan da bu tepkiyi aldıkça kendime defalarca, “senden nefret etmiyor, kendine dair taşıdığı yetersizlik duygularını sana yansıtıyor” demem gerekti. Yetersiz değiliz ve değerli hissetmek için kimseye bir şey kanıtlamamız gerekmiyor. Erkekler kulübünün bir parçası olmaya çalıştıkça erkekler arasında kendimiz olarak var olabildiğimiz yanılgısına kapılıyor ama daha ziyade aralarında eriyip gidiyor ya da eşikte tutuluyoruz. Bir bakıyoruz ki ancak ‘tahammül’ ediliyoruz. Ama tahammül ediliyor olmak kabul edilmekle eşdeğer değil. Kendimiz olabilmek için bir arada olmalı ve kenetlenmeliyiz. Erkeklerin arasına serpiştirilmiş, kopuk bir şekilde faaliyetlerimizi sürdürerek, enerjimizi bireysel anlamda kendini kanıtlamaya harcamak yerine bir aradalığımızdan güç almalıyız. Birbirimizi beslemeli, birlikte büyümeliyiz. Ve erkekler kulübü artık dağılmalı.
Tayfacılık ötesinde bir punk sahnesi mümkün mü?
Cinsiyetçilik dediğimiz şey bir olayla başlayıp bitmez. Tüm yaşam alanımıza sirayet eder. Bir insanın (bilinçli ya da bilinçsiz) seçimleri, düşünceleri ve inanış sistemlerine de indirgenemez (bunlar bazen cinsiyetçiliğin önemli parçaları olabilseler de). Cinsiyetçilik bütünsel bir sistemdir; birkaç cahil insanın hatasından ya da kötü niyetinden ibaret değildir. Bir taciz eylemi engellediğinde ya da cezalandırıldığında cinsiyetçilik orada ölmez. Cinsiyetçilik. tacizi ve şiddeti olanaklı kılan arkaplandır; ufuk çizgisidir. Dolayısıyla savaştığımız şey belli aktörlerin eylemlerinin ötesinde, bir kültüre içkin alışkanlıklar, sorgulanmayan doğrular, içgüdüsel hallerdir. Bu azılı canavarı yıkmak üç beş kişi değil, herkesin emeğini gerektirir. Biz sürekli toplumsal cinsiyet polisliği yapıyor durumunda kalmak istemiyoruz. Biz kendi yaşamımızın, eğlencemizin, dertlerimizin, varlığımızın ve paylaşımımızın peşindeyiz. Bu mücadelenin yükü yalnızca biz ötekileştirilenlerin omzuna düşemez. Herkes elini taşın altına koymalı. Tayfacılık ötesinde bir punk sahnesi mümkün mü ? Punk sahnesi erkekler kulübü olmaya mahkûm mu ? Bunları zaman ve mücadelemizin edinimleri gösterecek. Bir gün bu canavarın helvasını yeme umuduyla…
We’re not gonna lay down and die This is our scene, this is our time We’re knocking down the doors On the men who called us Whore This our time, this is our Fight
We’re not gonna lay down and die This is our scene, this is our time Swing our bats and clutching our knives This is our time to fucking fight
Fuck your boys club
Girl’s Club · Sissyfit (2018)
Ne Yapabiliriz? diye soranlara kapsamlı olmayan bir liste
Kadın müzisyenlerle çalışın.
Kadın müzisyenleri araştırın, dinleyin, paylaşın.
Yaptığınız ve paylaştığınız şarkı listelerinde kadın müzisyenler olsun (“token” olarak ya da laf olsun diye değil, gerçekten orada olması gerektiği için – çünkü kadınlar efsane işler yapıyorlar).
Kadın müzisyenlerin ve sanatçıların işlerine para verip alın.
Cinsiyetçi küfrü lügatinizden çıkartın (kadınların da kullanıyor olması bir şeyi değiştirmiyor), alternatif küfür kullanın. Özellikle SAHNEDE ve veya şarkı sözlerinde bunu kullanmanız erkekliği yücelten ve kadınlığı aşağılayan mevcut iktidar ilişkilerinin yeniden üretimi manasına geliyor.
Kadın müzisyenlerin konserlerine, festivallerine gidin.
Kadın müzisyenlerle ortak işler yapın; ortalık sosis partisine döndü diye onları sonradan olaya eklemlemeye kalkmayın – en başından bir ortaklık kurun.
Salt erkek gruplarının bulunduğu müzik listelerini, lineupları, vb. kanıksamayın, normalleştirmeyi reddedin, sorunsallaştırın.
Tacizleri, tecavüzcüleri ve şiddet uygulayanları affetmeyin, aranıza almayın, ifşadan iki hafta sonra kol kola gezmeyin. Unutmayın, unutturmayın. Aman tadımız kaçmasın Ali Rıza Beycilik yaparak mazur görmeyin.
Bu insanlardan biri olmadığınız için kendinizi ‘iyi oğlanlardan’ saymayın, daha fazla ne yapabilirsiniz diye düşünün, sorgulayın ve yapın.
Son olarak, kısa bir Bell Hooks videosu
Burada mesele bir şeyleri yapıyor ya da yapmıyor olmak değil, her zaman yapılacak daha fazla şey olması. Her zaman öğreneceğimiz de yeni şeyler var. Öğrenme meselesi asla bitmiyor. Dolayısıyla açık fikirli olmakta fayda var, bilhassa karşınızdaki konunun uzmanıysa ve/veya kendi deneyimini paylaşıyorsa. Cinsiyetçi bir toplumda yaşadığımız için birçok düşüncemiz, fikrimiz, hissimiz, içgüdümüz de cinsiyetçilik üzerinden şekillenebiliyor. Bunlar üzerine düşünmek ve bunları sorgulamak için kuram okuyun. Objektif ya da nötr gördüğünüz fikirler sandığınız kadar objektif ya da nötr olmayabilir, çünkü iktidar ilişkileri eşit, denk ya da simetrik işlemez ve de herkesi aynı şekilde etkilemez. Kazanılmamış ayrıcalıklarımıza göz yummamak için bellhooks‘tan Feminizm Herkes İçindir kitabını okumak iyi bir başlangıç olabilir. Bir diğer önerebileceğim kitap ise Sara Ahmet‘in Feminist Bir Yaşam Sürmek adlı kitabı.