T-JAKS of OUR INNER CIRCLE exclusive interview

O.I.C. at Gathering of the Juggalos 2026 // Photo by Levi Green © FireFrame Media

“Stay underground! Know your worth! Stay consistent and stay humble, no matter how big ya get!!” –T-JAKS

O x I x C

OUR INNER CIRCLE exclusive interview

October 2026 / İstanbul – Ohio

Löpçük fanzine: Hello T-Jaks, I really loved your talk on the Chatting with Staxx Show; you described yourself and your musical career so well, I think that you didn’t leave much for me to say; but orders come from the top, and we wouldn’t want to anger the Italian mobster Tony Slippaz! So, for those of us who have just started listening to you, could you briefly tell us about yourself, the history of O.I.C. which formed by four MCs who were making music as solo artists, the group members and the backgrounds they come from?

T-Jaks: My nickname T-Jaks came from my brother Scherm that’s no longer with us, and my brother Ss Fame. Scherm played a big part of me becoming who I am!

I started as a concert goer and supporter of all my homies. So basically he brought me into the scene and I knew I could do the same thing as long as I was with the rite team and had the support needed. My first track was with my bro. Low E of Mirror Immage and then started a lil movement called O.F. Muzic dedicated to my neighborhood (Oak & Fassett) that consisted of myself, Big homie, Jhood and my brother Mike Zak that’s no longer with us! We use to go crazy on the stage. Rip Z3!

Our Inner Circle: SS Fame, Lex(Rip), J Bizz & T-Jaks

“With myself and Bizz from Toledo and Ss Fame from Detroit and Lex from Cleveland. We had 3 different styles and energies that nobody could top and I’ll still stand on that to this day!” –T-JAKS

Me and Mike Zak eventually branched off and did a few songs together and started performing some big shows. He was shot and killed being at the wrong place wrong time! That was one of the toughest losses I’ve ever took!! I went thru some tough times after that.

I ended up linking back with Ss Fame and Lex (Rip) and J Bizz and came to the conclusion we need to turn O.I.C. into a group. Our Inner Circle became something bigger than we knew as we was being booked left and rite for events/shows. With myself and Bizz from Toledo and Ss Fame from Detroit and Lex from Cleveland. We had 3 different styles and energies that nobody could top and I’ll still stand on that to this day!

Lex had some health issues that started from a stroke and he had no choice but to have tracheotomy which led him with a hole in his throat. He insisted to keep going with recording and performing and everyone knew he was special cuz in real life ain’t to many that could do what he did under the circumstances!!

He unfortunately had another stroke shortly after the Lyte’s Out event and he lost the fight. I honestly didn’t think we could continue but something told us keep going and make him proud!!

Trap Cinematics !!!

Our Inner Circle ‘Full-Set Live’ at Venue 18, for Shaggy 2 Dope the Quest for the Ultimate Groove Tour (2023)

O.I.C. at The Murder Shack (2025)

“You’ll get more support from the Juggalo community before the Hip Hop community!” –T-JAKS

I’d like to touch upon the festivals you’ve been involved with recently. We are seeing large-scale festivals taking place across the country, events like the Gathering of the Juggalos, HogDaddys Family Reunion, and Gorefest, drawing hundreds of attendees; and I imagine there is a commercial aspect to these festivals as well. As a music listener unfamiliar with your region, I am curious about how the concept of the “Juggalo” emerged and the sociology behind it.

Everyone has some Juggalo in them!! Juggalos are a community “family” that welcomes outsiders, weirdos, and people who feel alienated or looked down upon by mainstream society.

What is the difference between a hip-hop festival and a Juggalo event?

My opinion…. I’d rather do a Juggalo event before a hip hop event!! Two different crowds if you ask me! My experience… You’ll get more support from the Juggalo community before the hip hop community!!

Our Inner Circle: SS Fame, Lex(Rip), J Bizz & T-Jaks

Our Inner Circle ‘All Bars’ ft Tony Slippaz

Insane Poetry & Scum // Nightshift Sessions x24

“Scum and Insane Poetry opened a door for us that made us who we really are! They might not know this but it’s real!” –T-JAKS

When we look the horrorcore movement, we witness an intriguing evolution in the conceptual content of rap music which originated on the streets, as the lyrics shift focus from street life to more internalized themes such as psychological struggles, melancholy, and a propensity for suicide; could this perhaps signal a crisis afflicting the new generation of American youth?

Suicide? I wouldn’t say that!! Horrorcore ain’t for the youth first and foremost. I’d say horrorcore is more on the lines of rapping about blood, guts, murder and expressing horror thru rhymes. We personally don’t do the paint or masks, but yes majority of artists wearing paint/masks come from the horrorcore/Juggalo community.

As an artist who is familiar with this scene, how do you view this phenomenon which shocks society much like the punk movement of the late 70s?

I love everything about it!! Most of the horrorcore artists I’ve met on this journey are some of the coolest and solid people.


Our Inner Circle ‘Nightshift’ ft. Foty, M.M.M.F.D. (Scum & Insane Poetry) 2024

“I’d say horrorcore is more on the lines of rapping about blood, guts, murder and expressing horror thru rhymes.” –T-JAKS

You also mentioned on the Staxx Show that you’re a huge LSP fan. That collective has really caught my interest lately, too; what is it that makes LSP special to you? Could you tell us a bit about that? Within the horrorcore scene, Insane Poetry is a highly respected figure, and Scum is a very prominent name as well; could you briefly touch upon these artists and what they mean to you?

Scum and Insane Poetry opened a door for us that made us who we really are!! They might not know this but it’s real!! LSP runs the underground and are some of the most solid people I’ve met in this industry thus far!! It’s where we wanna be!! Not only do we rep the L, we’d love to be apart of the movement!! I got Scum and Poetry’s back for life!!

Our Inner Circle ‘I Be Low’ feat. Foty Oz (2025)

Hip-hop, particularly in the US, is a vast landscape where many artists face significant struggles regarding both their music and their careers; you’ve even lamented the fact that many artists never manage to make it out of the studio. To what do you attribute the fact that Our Inner Circle has made such a splash and truly made a difference? Is it the fact that it’s a group that takes its art seriously, or is it the professional seriousness and entrepreneurial mindset, What’s your take?

It’s gotta be the seriousness for me! Most will stay in the studio yelling at the mic and think they the best! Us… We yell at the mic and stay in motion, not just in our city/state, we travel and network with other artists and show support.

If we were to ask you to briefly summarize the stages that generally mark an American rapper’s rise from the underground to the mainstream, what would you say?

Stay underground!!! Know your worth!! Stay consistent and stay humble, no matter how big ya get!!

Despite making good music, what do you think are the worst challenges they will face in order to prove themselves?

Having the finances to push yourself/team!! It’ll take some time to prove the people you ain’t playin!!


T JAKS SPEAKS! Underground Hip-Hop, O.I.C. & Building His Own Movement on Chattin with Staxx Show

“The cheat code is just stay consistent!” –T-JAKS

You have stated that, interestingly, you will be releasing your new album, “The Chopping Block”, primarily as a physical copy before making it available on digital platforms. Did you make this decision as a group? Could we learn the reasons behind it? And if you have any other ideas you would like to share with fellow musicians and your fans, sort of like a “cheat code”, we would love to hear those as well.

Yes, we make all decisions as a group! Physical copies promises fast money while streaming can take some time to earn. I think every artist should have this mindset on releasing music. The cheat code is just stay consistent!!

Thanks a lot for the interview, T-Jaks; it’s truly an honor to meet you. Many thanks and regards to Tony Slippaz as well for creating the opportunity to meet a talent like you! I’m eagerly looking forward to your new album, “The Chopping Block,” and the “Meat Circle” EP. Take care of yourself until then, my friend; from here as Löpçük Fanzine and Turkish rapcore bangers, we send our best regards and respect to the entire O.I.C. family.

“Just have fun

and make a positive impact

that’ll last e t e r n i t y ! !” –O.I.C.

» OURINNERCIRCLE419 youtube

» OUR INNER CIRCLE FACEBOOK PAGE

» T-JAKS of O.I.C. IG


RESPECT TO KiNG RELiK: ‘DEMENT3D’

King Relik ‘Dement3d’ 2021

“Put the little turtle on the big turtle” –King Relik

“DEMENT3D gerçekten sağlam bir albüm. Prodüktörlerin ortaya koyduğu geniş ses yelpazesi harika; ayrıca sanatçı, lirikal açıdan da hiç bu kadar iyi olmamıştı.” –L.W.N.D

⣴⣾⣿⣿⣿⣿⣷⣦
⣿⣿⣿⣿⣿⣿⣿⣿
⡟⠛⠽⣿⣿⠯⠛⢻
⣧⣀⣀⡾⢷⣀⣀⣼
⡏⢽⢴⡦⡯⢹
⠙⢮⣙⣋⡵⠋
⠉⠉

Legends Will Never Die

undergroundhiphopblog.com / 2021

King Relik, yapımcılığı Klepto K tarafından üstlenilen debut EP’si 12:45 ile 2017 Sevgililer Günü’nde sahneye adım atan, Long Beach, Kaliforniya çıkışlı bir MC. Geçtiğimiz Şubat ayında Wisconsin merkezli plak şirketi Force 5 Records ile anlaşan genç sanatçı, nihayet ilk albümünü tam da 4/20 dönemine yetiştirerek dinleyicilerle buluşturmayı başardı.

Açılış parçası Vilynz, klavye tınılarıyla bezeli bir müzik üzerinde Skribbal ve Radek’in Bad Guys modunda racon kestiği bir atmosfere sahipken; sonraki parçada Relik’in insomnia sorununu ele almasıyla Sl33p, elektronik bir çizgiye doğru kayıyor. Syko ise sürekli değişen ve yerinde duramayan ses yapısıyla bizlere adeta kayda alınmış bir bipolar atak yaşatmayı beceriyor; hemen ardından gelen Yogurl (Rollyaeyez) ise minimal yapısıyla, söz konusu meseleye detaylıca dalıyor.

Nayzay parçası, sanatçının o sert ve hırçın sözleri sıraladığı, daha çok glitch ve endüstriyel tınılar barındıran bir yapıya sahipken; Grynd, konserlerdeki ‘mosh pit’leri aratmayacak ölçüde kaotik bir punk rock marşı ayarında. P.O.S. (Piece Of Shit) şarkısı org ve ‘hi-hat’ sesleri eşliğinde kişinin kendi üzerindeki gelişim sürecini ele alırken, Read the Note ile Relik gerçekleştirdiği bir soygunu anlatan, atmosferik bir prodüksiyona sahip kurgusal bir parça.

Spacevan parçası, kapalı bir alanda yoğun esrar dumanı altında takılmayı (hotboxing) konu alıyor ve piyano ağırlıklı boom-bap tarzıyla dikkat çekiyor; Pimpin ise Relik ve Lima Beans’in kendilerini gerçek birer pezevenk olarak resmettiği, tekinsiz ve karanlık bir parça. Sondan bir önceki şarkı Rabidbaboon, sanatçının ne kadar çılgın biri olduğunu anlattığı, synth-horns ile oluşturulmuş nefesli çalgılarıyla öne çıkıyor; albüm Green Day, Blink-182 gibi gruplara bir dakikalık saygı duruşu niteliğindeki Handles ile sona eriyor.

King Relik ‘Dement3d’ 2021

King Relik’in tek başına nasıl bir tınıya sahip olacağını merak ediyordum; bence DEMENT3D gerçekten sağlam bir albüm. Prodüktörlerin ortaya koyduğu geniş ses yelpazesi de harika; ayrıca sanatçı, lirikal açıdan da hiç bu kadar iyi olmamıştı.

Kaynak: undergroundhiphopblog.com


NOT IN DA HOUSE, !N DA BU!LD!NG !!

King Relik & Klepto K “U$A” (2016)

“Force 5 Records, yeraltı sahnesinde uzunca bir zamandır harikalar yaratıyor; bu incelemeyi okuyan, ve dinlemek isteyen varsa, bu mix-tape başlamak için biçilmiş kaftan. Bünyelerindeki her sanatçı kendine has tarzıyla öne çıkıyor ve prodüksiyonlardaki çeşitlilik de gerçekten başarılı.” –L.W.N.D.

Force 5 Records, 2002 yılında The DRP tarafından kurulan, Milwaukee merkezli bir hip-hop plak şirketidir. Ancak şirket, Bay Area horrorcore sahnesinin emektarı Mars’tan Kottonmouth Kings grubuyla tanınan merhum Saint Dog’a kadar yeraltı dünyasının önde gelen isimlerinden bazılarını da bünyesine katarak, ancak 3-4 yıllık bir aranın ardından 2017’de geri döndüğünde bugünkü güçlü konumuna erişebildi. Aynı yıl The Ruckus Mixtape isimli bir promo mix-tape yayınladılar; fakat Force 5′ın sanatçı kadrosu zamanla daha da genişlemeye devam ederklen 2020’de The Ruckus Mixtape 2‘yi yayınlamaları da son derece yerinde bir hareket oldu.

Giriş bölümünün ardından, The DRP, Jaysin Logik, Prolifik ve Rick Dogg’un Gang Starr’ın “Full Clip” parçasının altyapısı üzerine iki dakika boyunca hünerlerini sergilediği “$1,000 Quartet” adlı şarkıya geçiyoruz. Danny Diablo, The DRP, Jaysin Logik, Prolifik ve Skribbal imzalı bir sonraki parça olan “Crystal Meth”, Jedi Mind Tricks tarzı bir altyapı üzerinde bu beşlinin sözlerini uyuşturucuyla kıyasladığı bir çalışma. Big Left, The DRP ve Jaysin Logik’in “Fuck Fame” şarkısı ise sert boom bap yapısıyla birlikte hayatın zorluklarından bahsediyor. Danny Diablo, The DRP, Jaysin Logik, King Relik ve Prolifik’in “It’s a Revolution” parçası fütüristik bir ritimle cinayetlere ve şiddete son verilmesi çağrısında bulunurken, Jaysin Logik ve Prolifik’in “Intelligence” şarkısı ise ikilinin nostaljik bir havaya sahip, düşündürücü sözler söylediği ilginç bir çalışma olarak karşımıza çıkıyor.


“Crystal Meth” feat. JaySin Logik, Prolifik & Skribbal (2020)

“Danny Diablo, The DRP, Jaysin Logik, Prolifik ve Skribbal imzalı “Crystal Meth”, Jedi Mind Tricks tarzı bir yapı üzerine beşlinin sözlerini uyuşturucu kafasıyla kıyasladığı sağlam bir çalışma.” –undergroundhiphopblog.com

Danny Diablo & The DRP imzalı “Charut”, ürpertici bir trap üzerine kurulu, enerji dolu bir moshpit marşıyken; “One”, piyano ve hızlı tempolu davullarıyla boşluk hissini konu alan bir Jaysin Logik klasiği. “Murderific” ise funky bas ve yaylı çalgı bölümleri eşliğinde horrorcore tarzını yansıtan bir King Relik solo çalışması; Prolifik & Rick Dogg imzalı “Get Up 2020” ise rap-rock esintileri taşıyan, eğlenceli ve partiyi ateşlemeye hazır bir bomba.

Big Hoss ve Danny Diablo imzalı “Make It Look Easy” parçası, ikilinin zafer havasında yeraltı dünyasının en iyileri olduklarını anlatırken; Rick Dogg’un solosu “Cudahy Girl”, country esintili bir enstrümantal müzikle bizi flörtöz bir havaya sokuyor. Prolifik’in solo parçası “Pervert”, caz tınılı bir atmosferde sergilediği performansla isminin hakkını tam anlamıyla verirken; The DRP, R.A. the Rugged Man ve Skribbal’ın “Dem Hoes 2020” adlı şarkısı ise sert ve karanlık bir biçimde söz konusu kadın grubunun ne kadar çekici olduğunu tüm detaylarıyla ele alıyor.

“Fuck Rick Dogg” adlı parça, King Relik’in Rick’e şakayla karışık laf soktuğu, rock esintileri taşıyan 45 saniyelik bir taşlama; “How You Like Me Now?” mahallenin en iyi MC’si olma konusunu işleyen bir DRP klasiği. Sondan bir önceki parça olan “Like You Do”, Saint Dog’un hayatındaki kadının adeta bir lütuf oluşunu dillendirdiği sağlam bir enstrumental kayıt; kapanış parçası “Walk the Walk”ta ise The DRP, çılgın bir kompozisyon üzerine ana akım piyasayı hedef alan bir tavırla The Night Crawlers ile güçlerini birleştiriyor.

Bence Force 5 Records bir süredir yeraltı sahnesinde harikalar yaratıyor; bu incelemeyi okuyan ve onları dinlemek isteyen varsa, bu kayıt başlamak için hiç de fena değil. Bünyelerindeki her sanatçı kendine has tarzıyla öne çıkıyor ve prodüksiyonlardaki çeşitlilik de gerçekten başarılı. Plak şirketinin bundan sonraki kayıtlarını dört gözle bekliyorum.

Kaynak: undergroundhiphopblog.com

Force 5 Records ‘The Ruckus Mixtape 2’ 2020
 !N DA BU!LD!NG !!

Join the RUCKUS MOVEMENT!

» force5records.com


A Monster You’d Want to Meet: TONY SLIPPAZ

TONY SLIPPAZ AKA SLIPPAZ DADON / 2025 RESURRECTION

“I’ve witnessed almost everything one can witness from the good to bad; my story has stories within them, that are genuine and that’s what makes me different, tells my story through my eyes, my way!” –SLIPPAZ

April 2026 / İstanbul – New York

First of all, I want to thank you for the interest you’ve shown in my amateur webzine. It’s really cool to hear from you; it’s like facing your fears! As an MC who’s battled alongside and shared the stage with key figures in the New York hardcore scene for so long, I was honestly disappointed to find almost no written material about you online.

I do all of my work myself, I’m kinda anti social and don’t jump on to others connections, so I slip right through just doing what I do!

Is there no longer as much value placed on music writing or intellectual depth as there used to be?

I def think there is, I’ve seen some good write ups recently, just maybe lack of interviewing the underdog cause everyone chasing a name to attach to!

Or is it that kids passionate about underground publishing those who really put their minds to this work are gradually becoming powerless under the hegemony of bigger platforms like YouTube or social media?

I believe social media has shaped the way people support or work, everyone rather use a cheat code and go for what viral instead of making something viral.

What do you want to say?

I wanna say I appreciate you taking your time to interview me and anyone who hasn’t heard me check it out may not be your cup of tea but it’s something you can enjoy, refreshing!

Slippaz, Rivet Joseph & Danny Diablo / NY 2026

Tony Slippaz ‘2 Sides’ directed by Whiz Kid Jerm / Produced by Carnage The God in collaboration with John Solinas

New Compilation Project from Danny Diablo

» SUPREME FORCE SYNDICATE

REEL WOLF X DANNY DIABLO


Slippaz, Danny Diablo & William Trag Yage (2026) Albany, N.Y.

“When I went through my federal charges a lot of people left my side – a lot – Diablo never did; its why I go so much love for him!” –SLIPPAZ

Some serious MCs lament that hip-hop culture is becoming increasingly degenerate and simplistic, do you agree?

I believe the whole world has become simplistic, so there hip hop follows…

From your perspective, considering the music you make and your life experiences, what have you witnessed in your personal history?

I’ve witnessed almost everything one can witness from the good to bad, my story has stories within them, that are genuine and that’s what makes me different, tells my story through my eyes my way !

How would you summarize the phases that hip-hop, rap, or hardcore music has gone through, based on your own observations and experiences?

I believe it’s growing as all of humanity – 100 years ago none of this existed – music started with no hold and I feel slowly grew to be molded !

“Some still break the mold but you gotta find them.” –SLIPPAZ


Tony Slippaz & Young Dex ‘Won’t Get Found’ 2026

Supreme Force Syndicate
NO ESCAPE !!

“The game is def more for the listeners, without them we don’t exist – ask the under dog – so much Welton not searched but so much work being done off of love for creativity !!! That I love most about music – I hate people who waste time or talent.“ –SLIPPAZ

Given your close ties to old-school legends like Danny Diablo, I imagine you’re been part of the scene since the ’90s.

I actually was a street guy and a bit younger then most of them. I didn’t really be introduced to the scene till I met Danny Diablo and we met on a street level but been doing music ever since – when I went through my federal charges alot of people left my side – a lot – Diablo never did; its why I go so much love for him!

Instead of focusing on an album release, artists are choosing to release singles at regular intervals. How would you interpret this shift, considering both the positive and negative impacts of the internet and digital services on music?

I actually signed up for BMI a long time before I started releasing music and I remember they use to email letter on how to be a better artist and one was always drop single and not albums cause if you ever go to show your number your albums says don’t look like they flopped – grow with single and when they demand give then the hole thing.

There are also critics who, taking both artists and listeners into account, argue that this system is exploitative.

The game is def more for the listeners, without them we don’t exist – ask the under dog – so much Welton not searched but so much work being done off of love for creativity !!! That I love most about music – I hate people who waste time or talent.


Special guest is E Train Records recording artist, TONY SLIPPAZ talking about his newest release, The Button Man”

TONY SLIPPAZ !!

“Music always related to me of the street stuggle. Thug life was really an agenda pushed by the government, but it’s a life of many perceptions to different people.” –SLIPPAZ

I’m a 90s baby a product of the 80s crack era – my mother was a junky and my father a piece of shit so that music always related to me of the street stuggle.


Tony Slippaz ‘Relax Your Mind’ Directed by Whiz Kid Jerm, 2022

“I believe being a gangster is stupid, someone who doesn’t think consciously, no thought of consequences or others lives – sometimes it a faze, sometimes it how some people grow.” –SLIPPAZ

How and to what extent is being masculine and tough important for you in life and art?

Protection of my loved ones – I have a child – younger brothers and sisters – also a masculine man should protect those weaker than them!

» SLIPPAZ DADON

» The Adventures Of Tony Slippaz & Sammy Sweatpantsem


The Button Man
BEWARE MY FRIENDZ

BEWARE !!